To Cast Too Bold A Shadow - The Feminist Art Project
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To Cast Too Bold A Shadow


The 8th Floor

17 West 17th Street

New York, NY


By appointment

Phone Number

646 839 5908




The Shelley & Donald Rubin Foundation is pleased to present To Cast Too Bold A Shadow, a thematic exhibition that examines culturally entrenched forms of misogyny as a means to understand the dynamics between sexism, gender, and feminism. This exhibition, celebrating the 100th anniversary of Women’s Suffrage, features artists who have positioned their practices as acts of resistance in the face of oppressive societal conditions. Artists include Anetta Mona Chisa & Lucia Tkáčová, Furen Dai, Tracy Emin, Hackney Flashers, Rajkamal Kahlon, Joiri Minaya, Yoko Ono, Maria D. Rapicavoli, Aliza Shvarts, Betty Tompkins, and Mierle Laderman Ukeles, whose work collectively challenges the constraints women have endured across economic, cultural, and political lines. An opening reception will be held during the run of the exhibition at the Rubin Foundation’s exhibition space, The 8th Floor, in New York City.

The fourth installment of Revolutionary Cycles, an ongoing series of shows exploring art’s social and political potential in uncertain times, the title To Cast Too Bold a Shadow is borrowed from a line in the late feminist thinker and poet Adrienne Rich’s poem Snapshots of a Daughter-In-Law (1963). The exhibition posits that ‘casting too bold a shadow’ is not only a right, but a necessity, and that building on this potential for cultural transformation – namely, equality for women – will help form a more just society.

To Cast Too Bold a Shadow advocates for equity in spite of the dominant culture of misogyny. While discreet and insidious forms of gender-based discrimination remain, and thrive, the reevaluation of social and political systems and constant activism are necessary, even after 100 years of women’s suffrage. The exhibition makes visible the experience of women transcending history, geography, and economic constraints, and also serves to amplify issues – access to childcare, immigration, and fair pay – that intersect with women’s rights. In a democratic society, having such human rights reciprocally implies a responsibility to make these essential freedoms count for others, so that patriarchal systems can be dismantled.

The exhibition is organized by Sara Reisman, with George Bolster and Anjuli Nanda.

Funding was provided by the Italian Council for a newly commissioned artwork by Italian artist Maria D. Rapicavoli, which will have its premier as part of this exhibition.

Event Type


Betty Tompkins, Apologia (Caravaggio #1), (detail), 2018